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What’s ‘real’ and what’s not?

March 12th, 2009

One of the most interesting discoveries over the past weeks has been noticing the way that people who know me very well and have now read the book suppose they know which scenes/characters have been lifted from my own life. One person said he recognised my husband in Taos; a tall, steadying travelling companion. Two others differed in their opinion of which of my childhood friends Poppy was based on, whereas the truth is, I invented her off the top of my head purely to bring a ray of light into that grim episode of Mia’s life and didn’t associate her with anyone I’d known. On another, non-personal level, one friend recognised a snippet of Bollywood song lyrics she’d sent me in a travel-diary email she wrote while backpacking in India with her young daughter, while another will certainly recognise Alida’s computerised baby dolls, as she has used them in her own sex-education job.

 

I think people have fun playing this guessing game when they know the author – I do it myself – but fiction writing is rarely as clear cut as it might seem. For me, it’s an intricate weaving process and I’m just as likely to steal a character trait from a five-second piece of dialogue I catch while passing someone on the street, as I am to daydream that character trait into existence without ever knowing just why or how it occurred to me.

 

It’s probably safe to assume that for every new person who reads a novel, a different version of it will spring into existence, because whether we know the author or not, we each apply our own memories, associations and impressions to the fictional world we’re immersed in. It makes me smile to think of Breathing in Colour multiplying in interpretations as it starts to be read by all these individuals, each with their own personal take on it. I like this interaction: my imagination fusing with the reader’s personality and life experience, triggering an imaginative response to become something absolutely unique.

 

Now I understand what people mean when they say a book is no longer your own once you publish it!

 

A writing week

March 12th, 2009

I never imagined the weeks surrounding publication day would be so busy and exciting. This has been a real writing week, starting with an interview with the Western Morning News. The features editor was interested in my travels in India and the inspiration for the synaesthesia passages of the book. WMN covers the counties of Devon, Cornwall, Somerset and Dorset, so as I grew up in Totnes, I’m classed as a local author. The Leeds Reporter is going to publish a short piece about the novel, too. Press cuttings arrived from my publicist with lots of nice review comments. I also had to work with my web designer on Search Engine Optimisation in the form of descriptive paragraphs for each page of this website. During the writing of my Ganges short story for My Weekly, I found myself immersed again in India imagery. I wrote about floating marigolds, an oarsman with eyes as deep and still as sunken jewels, and a naked saddhu with dreadlocks coiled high on his head like a hat of snakes.

 

Then there was work on Dreamrunner – I talked with my editor about the imagery and colours we could use for the jacket (yes, they’re already working away on the cover, almost a year before it’s due to be published!) and I also managed to fit in some hours by the sea to write the next chapter, where seven-year-old Leo finds a ‘dolphin eye’ on the beach and recovers from an alcoholic potion-induced hangover.

 

In the middle of all this, a weighty package arrived from the UK (I’m in Portugal at the mo, where Dreamrunner is set) and I tore it open to find a very lovely, purple-wrapped and ribboned box containing a bottle of champagne! It was from Piatkus Fiction, to congratulate me on the publication of Breathing in Colour. I plan to crack it open this weekend on the beach with three of my best friends and my husband – a gorgeous way to celebrate.

 

Ah… the writer’s life! J

 

Publication Day!

March 5th, 2009

Today is the day that Breathing in Colour hits the bookshops. Quite nerve-wracking, really, although thankfully I’m not in the UK at the moment so won’t be tempted to hover anxiously at store doorways trying to see whether people seem interested in it or not! My author copies arrived the other week and the book cover looks stunning – all credit to the hardworking designers at Piatkus.

It’s been kind of hectic in the build-up to publication because of the publicity things I’ve been doing – I even caved in and agreed to write a short story set in India for My Weekly, so I’m doing that this week. At first I wasn’t sure what I’d write about but my usual technique of dozing in the garden and watching the hypnagogic imagery develop behind my eyelids brought me a strong image of a blue-eyed woman floating along the Ganges at dawn in a wooden boat, and as soon as I saw her I knew her name and why she was there, so the story should hopefully just flow from there now. I’ve also done a ‘First Draft’ interview with Mslexia which was good fun, comparing an early draft of one of the synaesthesia sections of the book with the final, published version, and apart from that I’ve been organising press releases to send to various publications, not to mention putting the finishing touches to this website before it went live.

Unsurprisingly, all this has ejected me from the writing of Dreamrunner, but only temporarily, I hope; by the end of this week I’ll be free to immerse myself in nightmares and dolphins and all that sort of stuff! Looking forward to it – and to getting updates from my agent and editor as to how Breathing in Colour is doing out there in the big wide world.


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